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If you get it please be sure to let us know your thoughts. I don't remember reading myself.
It's an exceptional resource. It also may not be the best resource for new students.
As an academic text, The Handbook is organized as a collection of essays from respected scholars. In total (in over 800 pages), they present a synoptic view of Epicurean Philosophy; in particular, each focuses on a specific topic; some of those topics are much more narrow in scope than other overviews. Sometimes, the topics covered express interpretative disagreements in contemporary scholarship; in these cases, a background in the philosophy may be assumed by the author.
I think that students may struggle with the presentation — for example, depending on the author, and the author's voice, they may, or may not assume that you already know ancient Greek, or may or may not employ non-standard, in-text citations, or may over-use academic jargon, so I anticipate that some of the essays might strike new readers as being (understandably) obfusticating. Some of the topics are tangential, and inter-disciplinary, so I think of The Handbook as more of a supplement.
Still, each essay is filled with great information. The book is expansive, and the authors, as one would expect of academics, provide voluminous support for their analyses. You'll also find a wealth of peripheral, historical information as it relates to non-Epicureans, and modern philsophers.
It's also chunky enough that it stands up on its own on a bookshelf.
It's an exceptional resource.
I second that. It was one of the first books on Epicurean philosophy I've read and to this day I don't regret it. The amount of information there is extraordinary.
I also have read it the 2. time some months ago. I can recommend it when interested in a more academic approach and not all chapters were interesting for me but 80% were.
But some chapters contain more wisdom then I thought on the first look. For example the chapter of poets( infos about Lucretius and Philodemus ) or about language which I thought first would be boring but then show crucial differences for example between Platon and Epicurus ( how words natural evolved by using simuliar sounds in groups vs they come from perfect forms in another world or are top down defined and used )
I am better able to understand what the 'divine simulacra' are implanting in my mind.
This made me wonder both what it is, and where it comes from in Epicurus' worldview. and then this next sentence:
The text in this chapter makes clear that our knowledge of Epicurean gods comes through prolepsis—a criterion of truth formed by repeated perceptions of divine simulacra striking our minds.
made me wonder if the author you reference, or Epicurus himself, defined a simulacra the same way as the following definition I quickly scooped from the Internet:
"Ancient Philosophy (Epicureanism): In Epicurean philosophy, "divine simulacra" (or eidola) were believed to be fine atomic emanations that constantly stream from the "quasi-bodies" of the gods and strike human perception. Perceiving these simulacra was a way for humans to form a concept (prolepsis) of the gods, who were seen as models of perfect happiness and imperturbability, but who did not actively intervene in human affairs.
Platonic Philosophy: The term "simulacrum" (from the Latin simulacrum, meaning "likeness, semblance") originates in Platonic philosophy, where it meant a copy of a copy of an ideal Form, often considered an inferior representation."
I left the Plato reference in there because it seemed to clarify the term a bit for me, but focusing on the definition from the Internet on Epicureanism, I'm wondering if his philosophy considers that the simulacra comes from the gods. And then if the gods are indeed influencing mankind's actions in a passive sort of way, isn't this opposite from being indifferent, as I thought Epicurus declared?
but focusing on the definition from the Internet on Epicureanism, I'm wondering if his philosophy considers that the simulacra comes from the gods. And then if the gods are indeed influencing mankind's actions in a passive sort of way, isn't this opposite from being indifferent, as I thought Epicurus declared?
"Superman" positively inspired generations of kids, even if he only existed in 64 colors.
"Lady Liberty" continues to wield a torch for many, even if she's fixed in bronze.
So long as we identify "the gods" as images ("simulacra", "eidola"), those images, like any other symbols, have measurable impacts on our physical lives. The image of Jesus Christ, itself, is a huge influence to billions of people. "Jesus" doesn't need to "truly" exist to have influence.
Eikadistes Yes, thank you. I understand your reply, but can you address my use of the Internet description of divine simulacra:
"Ancient Philosophy (Epicureanism): In Epicurean philosophy, "divine simulacra" (or eidola) were believed to be fine atomic emanations that constantly stream from the "quasi-bodies" of the gods and strike human perception. Perceiving these simulacra was a way for humans to form a concept (prolepsis) of the gods, who were seen as models of perfect happiness and imperturbability, but who did not actively intervene in human affairs."
And then can you address my question earlier, if divine simulacra stream from those "quasi-bodies" of the gods (in the quote above) does Epicurus consider that the simulacra comes from the gods.?
And if Epicurus does consider it so, if the gods are indeed influencing mankind's actions in a passive sort of way, isn't this opposite from being indifferent, as I thought Epicurus declared?
Eikadistes Yes, thank you. I understand your reply, but can you address my use of the Internet description of divine simulacra:
"Ancient Philosophy (Epicureanism): In Epicurean philosophy, "divine simulacra" (or eidola) were believed to be fine atomic emanations that constantly stream from the "quasi-bodies" of the gods and strike human perception. Perceiving these simulacra was a way for humans to form a concept (prolepsis) of the gods, who were seen as models of perfect happiness and imperturbability, but who did not actively intervene in human affairs."
I respectfully believe that the original quote creates a misconception about the nature of "divine simulacra" by mistakenly equating the words "eidola" with "divine images": eidola are not necessarily "divine", most are just the mundane images we see throughout the day with our eyes. I have not found "eidola" to be exclusively linked with "god images" in the original texts, so far as εἴδωλᾰ (eídōla) is employed by Epíkouros in the Epistle to Herodotos, as well as the context in which eídōla are discussed by Philódēmos in his treatise On Piety , as well as the way that Lucretius fluidly employs simulacra throughout De Rerum Natura (I'll cite each Lucretius' examples).
We inherit simulacra from Lucretius, who employed it as an approximation for the Greek eídōla. It is translated by H. A. J. Munro (whom I consider to be reliable) as "images" (1.1060, 2.24, 3.433, 6.420), "representations" (2.110), "mimicry" (2.324) and "idols" (1.123, 5.62, 5.308, 6.80). Lucretius also compares the concept of simulacra as "representations" against imago or "pictures" (2.112). Munro personally inflects simulacra as "idols" instead of "images" when referring to the "pictures of the gods", however, both divine images ("of the gods") and non-divine images (of normal stuff) are constituted of simulacra as is preserved in the language that Lucretius uses.
He pays particular attention to these the visual-mental act of forming internal images in Book Four of De Rerum Natura, using declensions of the word simulacra several dozen times. A number of scholars have found it helpful to loosely equate the "films" of the "images" (eídōla and simulacra) with the contemporary concept of photons, generally speaking, the physical particles of light that we perceive. These particles (eídōla or simulacra), as the authors describe in high resolution, physically travel from an external body, through the air, and collide with our eyes, creating an impulse that travels through a perceptual relay, creating an internal cascade that yields an internal representation that is apprehensible by the human intellect, experienced by the "mind's eye".
These stanzas in Book Four corresponds with notions expressed by Epíkouros in the Epistle to Herodotos (10.46-51). Lucretius means to faithfully represent Epíkouros' teachings in Latin verse, so his neologisms and descriptions of the fact that "things open to sight many emit bodies" corresponds with the Hegemon describing that the "impinging [of images occurs] on account of a certain thing from the outside[that enables] us to observe and to consider" (10.49). In each case, the authors consistently explain that the images that human beings reproduce as visual representations in the mind are limited to real forms that have been physically observed in nature. For example, a culture cannot create the myth of a centaur without having some knowledge of a horse.
It is important to mention that in both Ep. Her. (49-51) and DRN 4, the authors do not discuss the formation of "divine" images, or delineate them as images originating from a special class of beings. Philódēmos, however, provides a high resolution description in On Piety, and compares the formation of "numerically-distinct" images that reflect a "singular", body in one's external environment versus "sublimated" streams of "compatible" images that form in the imagination from a variety of visual inspirations. Philódēmos explicitly categorizes "the images of the gods" as being the latter, images formed in the imagination from a variety of sources. By contrast Epíkouros and Lucretius only ever refer to the eídola and simulacra of everyday objects like architecture and animals. Our conception of "the form of a god" or "the gods" is necessarily conditioned by the visible particles that have previously emanated from human forms, whether those forms are the bodies of our friends, statues of the gods, or drawings of superheroes.
Given this, I want to (respectfully) caution against translators who interpret the "the images of the gods" as "a special class of 'god' particles that originate from 'god'-bodies that exist as animal-beings in a specially-privileged 'god'-biome in outer space that physically exists 'external' of the human mind". I want to caution against translators who interpret "images traveling through space" to mean "...through the vacuum of deep, outer space" rather than simply "...traveling from a Google Search page, through the two feet in front of your computer screen, into your eyeball."
I think it is really important to consider Philódēmos' delineation of images into the two categories of things that truly correspond with singular, unitary, external objects versus things that only exist as constructions within the human imagination (which is not to lessen the value of their existence as "real" things, just not things that "truly" correspond with singular, unitary objects, independent of the mind). Without considering Philódēmos, I think translators inductively project the manner in which normal images (like a horse) form onto the ways in which "divine" images form, as though the gods are like horses, but in a god barn, somewhere on a god farm, beyond our universe.
I mean all of this as respectfully as I am a total amateur when it comes to linguistics.
And then can you address my question earlier, if divine simulacra stream from those "quasi-bodies" of the gods (in the quote above) does Epicurus consider that the simulacra comes from the gods.?
"Quasi-bodies" comes from Cicero's character Velleius — Cassius , here's an example of where I think Cicero is misleading us into an exaggerated conception without explicitly making a "false" statements. When it comes to this topic, I personally want to avoid Cicero's input, and focus strictly on what Epíkouros and Philódēmos have to say about the formation of internal images. The notion of "quasi-bodies", here again, makes it sound like "the gods" are space ghosts made of aether, and that their simulacra are traveling from deep space like x-rays from a quasar. From my humble understanding, the "quasi-bodies" of Velleius should properly refer to "the physical representation that is being physically stored in our physical, human memory" and, further, that this intellectual representation in memory was formed by seeing mundane people in everyday life. Men may think of Aphrodite as having those features that appeal to their subjective sense of arousal based on their experiences with women whom they have found to be attractive. The gods are pristine physical specimens (as per cultural standards of beauty) — the men are ripped like body builders, the women are soft and voluptuous (...here again, with everyone, I want to emphasize, context aside, that we treat Marvel superheroes eerily similarly with the way gods were depicted).
In summation, based on the above sources, I want to suggest that thinking of simulacra as "emanating from external gods" only makes sense in terms of observing stone statues, or in terms of retrieving visual constructions from memory. I don't think the gods are space radios.
And if Epicurus does consider it so, if the gods are indeed influencing mankind's actions in a passive sort of way, isn't this opposite from being indifferent, as I thought Epicurus declared?
While I want to reinforce, as Diogénes writes, that Epíkouros "only" saw the gods as being "apprehensible" through a directed act of "contemplation" by the "intellect" (10.139), even if we are to consider "the gods" to be a class of space ghosts who broadcast dreams through radio waves ... one way of the other, "the gods'" are indifferent and unconcerned with our happiness. The "indifference" of the gods is part of their definition. They are untroubled. They have no stress, no concern, no anxiety, no fear of death, and, therefore, no bio-chemical compulsion to stick out their necks to protect temporary, fragile, extra-terrestrial forms of life (in this case, us, Earthlings). They have so many better things to do than straighten out American healthcare (for example), or ensure that human life is improved through a proliferation of universal, scientific literacy, or mitigate the impact of climate change ... regardless of whether they are space ghosts or comic books.
(I really want to emphasize the "reality" of fictional super-people. The "spirit of Christmas" is a total, mythic fabrication ... that has a measurable, socio-economic impact on our culture. The "spirit of Christmas" is indifferent to its socio-economic impact, as are the images of the gods).
I hope this helps! I'm also throwing a few of my own ideas out there for general consideration. Cicero is an exceptional source, but also, a biased one. He was a laywer... he had an agenda, and that agenda was not to produce a neutral, historical survey of competing thoughts. He meant to discredit his opponents by tearing holes in their arguments. It behooved him to exxagerate.
Eikadistes thank you for all that commentary!
I don't disagree with any of it but would mention only slight tone question as to "quasi." In my mind that word for some reason carries a negative connotation that evokes space ghosts, but I don't think what Cicero was conveying should be presumed to carry any baggage with it. I would infer it to mean only "something like" or "something analogous too" or "something that functions analogously" and I would not read more into it than that.
Having said that I agree with virtually everything you wrote there. *Everything* gives off images not just gods and not just things that are close or far away.
As for me personally this may be why i think the word "Quasi" always sounds fake or negative:
Eikadistes Thank you for taking the time to address my questions in detail.
