Posts by Joshua
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Edit--ok, clearly Cassius and I are of one mind!
My answer is a hard no.
There is no possible claim about what constitutes the proper end of life that meets a test of falsifiability, in part because of an observation made by David Hume.
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The is–ought problem...is the thesis that, if a reasoner only has access to non-moral and non-evaluative factual premises, the reasoner cannot logically infer the truth of moral statements.Applying this to the pleasure principle, I might think I'm on solid ground by starting things out this way:
"Every living thing, as soon as it is born, seeks after pleasure and recoils from pain." Starting with that, what would it take for us to get to this? "We ought to live our own lives like this, pursuing pleasure as the goal of our lives and avoiding pain as much as we can."
What we're missing is at least one extra premise; something to go between those two statements to connect them in some logical way. But this doesn't give us an objective truth about the proper end of life--it just gives us another argument from logic. What Epicurus actually does with regard to the two statements above (adapted from the Torquatus material) is to offer a non-logical approach.
Epicurus sets out to show this as follows: Every living thing, as soon as it is born, seeks after pleasure, and delights in it as its chief good. It also recoils from pain as its chief evil, and avoids pain so far as is possible. Nature’s own unbiased and honest judgment leads every living thing to do this from birth, and it continues to do this as long as it remains uncorrupted. Epicurus refuses to admit any need for discussion to prove that pleasure is to be desired and pain is to be avoided, because these facts, he thinks, are perceived by the senses, in the same way that fire is hot, snow is white, and honey is sweet. None of these things need be proved by elaborate argument — it is enough merely to draw attention to them. For there is a difference, he holds, between a formal logical proof of a thing, and a mere notice or reminder. Logical proofs are the method for discovering abstract and difficult truths, but on the other hand a mere notice is all that is required for indicating facts that are obvious and evident.
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[The passage from Lucretius, Book 1 (regarding a chorale performance at Notre Dame, 2017)]
QuoteStefan GirardetDisplay More
(referring to Epicurus:)
Therefore the vivid power of his mind prevailed,
and forth he marched far beyond the flaming walls
of the world, as he traversed the immeasurable
universe in thought and imagination; whence
victorious he returns, bearing his prize: the
knowledge of what can come into being and what
cannot: how each thing has its powers limited
and its deep-set boundary mark. Therefore
Superstition is now in turn cast down and
trampled underfoot—a victory that exalts us
to heaven.
—Lucretius, De rerum natura I: 172-75 —after Loeb Classical Library
QuoteDisplay MoreQuote Therefore the lively power of his mind prevailed,
and forth he marched far beyond the flaming walls
of the world, as he traversed the immeasurable
universe in thought and imagination;
whence victorious he returns bearing his prize, the
knowledge what can come into being,
what can not, in a word, how each thing has its powers limited
and its deep-set boundary mark. Therefore
Superstition is now in her turn cast down and
trampled underfoot, whilst we by the victory are exalted
high as heaven.
(The un-amended Loeb text, for comparison)
This passage is one that will come up on next week's podcast, so it's actually good to get a chance to address a few points here. There are three key issues that complicate a simple reading of the text. We know from Thoreau's journal that he read the first hundred lines of Lucretius and then moved on--his only comment on the text or the poet is in reference to this passage, which he cites as a good description of Prometheus. This is probably not obtuseness on his part--it's exactly the kind of layered texture and metaphorical posture--allowing for open interpretation--that poetry is known for, which is presumably why Epicurus has so little time for it. But it's worth mentioning because of what comes next.
After Epicurus seizes a boon for mankind, Lucretius says that with this new knowledge "Superstition" (religio) is "cast down" and "trampled underfoot". The word foot is appropriate, because it is primarily in the footnotes that competing scholars have offered their opinions on that word religio. Superstition? Religion? False religion?
QuoteLucretius seizes the opportunity of stating that men think things are done by divine power because they do not understand how they happen, whereas he will show how all things are done without the hand of the gods — a bold proposition truly, but one which, translated into modern language, means simply that natural phenomena are subject to definite laws, and are not unintelligible miracles. Lucretius fails to perceive that definite physical laws are consistent with the work of God and the difficulty of reconciling the two ideas, unreal as it seems to us, has been felt by able men even now-a- days, when the conception of divine power is very different from any present to the mind of Lucretius. To most of us the very conception of a law suggests a lawgiver, while he, to prove the existence of laws, thought it necessary to deny the action of beings who could set those laws at nought.
-Fleeming Jenkin, The Atomic Theory of Lucretius, 1868
There is an undercurrent in the western approach to Lucretius to view his rejection of the myths and worship of the pagan gods as containing an important doctrinal Christian truth, but only part of it. In much in the same way, certain Muslim apologists have noticed that the claim "there is no god" is simply the first part of the Shahada.
Then we have the final line: "we by the victory are exalted as high as heaven". This is where the largest shift takes place in the text above. The Notre Dame setting has it: "a victory that exalts us to heaven." Instead of 'as high as heaven', this victory exalts us 'to heaven'.
TL;DR
Maybe I'm splitting hairs here, but it would seem to be important to know how these passages can be so easily misread. If 1.) you leave out the preceding passage identifying Epicurus, and if 2.) you say that the problem is merely superstition or false religion, and if 3.) you further suggest that a victory over false religion exalts us "to" heaven, we're suddenly looking at a very different reading of a rather important passage.
Of course, I can have no idea what the actual thought process was at Notre Dame, and I have not listened to the piece itself.
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I cannot recall the recent context when this came up, but here is that quote from Confessions of St. Augustine:
QuoteTo Thee be praise, glory to Thee, Fountain of mercies. I was becoming more miserable, and Thou nearer. Thy right hand was continually ready to pluck me out of the mire, and to wash me thoroughly, and I knew it not; nor did anything call me back from a yet deeper gulf of carnal pleasures, but the fear of death, and of Thy judgment to come; which amid all my changes, never departed from my breast. And in my disputes with my friends Alypius and Nebridius of the nature of good and evil, I held that Epicurus had in my mind won the palm, had I not believed that after death there remained a life for the soul, and places of requital according to men's deserts, which Epicurus would not believe. And I asked, “were we immortal, and to live in perpetual bodily pleasure, without fear of losing it, why should we not be happy, or what else should we seek?” not knowing that great misery was involved in this very thing, that, being thus sunk and blinded, I could not discern that light of excellence and beauty, to be embraced for its own sake, which the eye of flesh cannot see, and is seen by the inner man. Nor did I, unhappy, consider from what source it sprung, that even on these things, foul as they were, I with pleasure discoursed with my friends, nor could I, even according to the notions I then had of happiness, be happy without friends, amid what abundance soever of carnal pleasures. And yet these friends I loved for themselves only, and I felt that I was beloved of them again for myself only.
O crooked paths! Woe to the audacious soul, which hoped, by forsaking Thee, to gain some better thing! Turned it hath, and turned again, upon back, sides, and belly, yet all was painful; and Thou alone rest. And behold, Thou art at hand, and deliverest us from our wretched wanderings, and placest us in Thy way, and dost comfort us, and say, “Run; I will carry you; yea I will bring you through; there also will I carry you.”
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Oh boy.... Cassius, you'll want to move that over to the thread on the subject!
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I think we should preface this with some background on how the moral opinions on suicide are shaped by culture. Broadly speaking two major categories have been defined.
QuoteVarious sociologists and anthropologists have contrasted cultures of honour with cultures of law. A culture of law has a body of laws which all members of society must obey, with punishments for transgressors. This requires a society with the structures required to enact and enforce laws. A culture of law incorporates a social contract: members of society give up some aspects of their freedom to defend themselves and retaliate for injuries, on the understanding that society will apprehend and punish transgressors.
^Wikipedia page "honour"
Honor cultures would include Japan under the Shogunate, Rome under the republic, the American frontier West, etc. In all of these cases it is customary to hold one's honor dearer than one's life. Dueling, honor killing, and ritual suicide all have some portion in these societies. More anon...
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This page is interesting.
QuoteArchaeologists have not identified planted courtyards within the palaces of Mycenean culture nor in Greek houses of the Classical period. When the editors of a symposium on Roman gardens[10] included a contribution on the expected Greek precursors, Brunilde Sismondo Ridgway's article prompted a reviewer[11] to observe, "For all practical purposes there appear to have been no gardens of any sort in Greek city homes, beyond perhaps a few pots with plants."
QuoteThough Harpalus, Alexander's successor at Babylon, grew some Greek plants in the royal palace and walks,[20] mainland Greece, mother of democracy and Western cultural traditions, was not the mother of European gardens.
This is interesting stuff. It might explain why Greek Historians like Herodotus remarked on the lavish gardens they found in their travels, if the practice was not widespread at home. It also reinforces the power of the pastoral ideal of the Greek countryside, where pasture, vineyard, and grove dominate the poetic landscape.
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According to art historian Paul Zanker, the bearded type has long hair from the start, and a relatively long beard (contrasting with the short "classical" beard and hair always given to St Peter, and most other apostles);[39] this depiction is specifically associated with "Charismatic" philosophers like Euphrates the Stoic, Dio of Prusa and Apollonius of Tyana, some of whom were claimed to perform miracles.
-from the Wikipedia article cited by Don above
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Yes, Don, that was my response as well. They also show Jesus' hair parting very differently, and long individual strands in place of Epicurus' undifferentiated locks on both head and beard.
But it is interesting to see early portraits of Jesus without a beard. Of the early Emperors, Nero had a beard. This went out of fashion again until Hadrian, who "brought back the beard", you might say. Between Hadrian and the Crisis of the Third Century, the only Emperors portrayed beardless were boys and young men, all murdered by the age of 26.
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Under the second heading of Chapter 6, we get an interesting look at the meditative practice of "touring the cosmos" in thought. I've collected several quotations that express the sentiment, and finally a passage from Horace contrasting the limitless ambitions of the mind with the brief span of human life.
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A Greek it was who first opposing dared
Raise mortal eyes that terror to withstand,
Whom nor the fame of Gods nor lightning's stroke
Nor threatening thunder of the ominous sky
Abashed; but rather chafed to angry zest
His dauntless heart to be the first to rend
The crossbars at the gates of Nature old.
And thus his will and hardy wisdom won;
And forward thus he fared afar, beyond
The flaming ramparts of the world, until
He wandered the unmeasurable All.
-Lucretius, translated by William Ellery Leonard
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Therefore superstition is now in her turn cast down and trampled underfoot, whilst we by the victory are exalted high as heaven.
--Lucretius, from the Loeb Classical Library
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Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
- Ulysses, Alfred, Lord Tennyson
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"You who measured the sea, the earth, and the numberless sands,
You, Archytas, are now confined in a small mound of dirt
Near the Matine shore, and what good does it do you that you
Attempted the mansions of the skies and that you traversed
The round celestial vault — you with a soul born to die?"
—Horace, Odes I.28; transl. Peter Saint-Andre
This is the Horace who has abandoned his earlier Epicureanism in favor of a piety more palatable to the new Emperor's of Rome. In Ode 1.34 we catch the repudiation by reference to Lucretius, who in book 6 around line 140 maintained that "Jupiter's" thunder was never heard when the skies were clear.
Horace;
Once I wandered, an expert in crazy wisdom, a scant and infrequent adorer of gods, now I’m forced to set sail and return, to go back to the paths I abandoned. For Jupiter, Father of all of the gods, who generally splits the clouds with his lightning, flashing away, drove thundering horses, and his swift chariot, through the clear sky, till the dull earth, and the wandering rivers, and Styx, and dread Taenarus’ hateful headland, and Atlas’s mountain-summits shook. The god has the power to replace the highest with the lowest, bring down the famous, and raise the obscure to the heights. And greedy Fortune with her shrill whirring, carries away the crown and delights in setting it, there.
--Translated by A. S. Kline
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7 Oldest Paintings of Jesus in the World - Oldest.orgDiscover the 7 Oldest Paintings of Jesus in the World here. Prepare to be transported into a rich & fascinating history on the oldest jesus paintings that…www.oldest.org
In Chapter 5 DeWitt notes that many of the earliest images of Jesus portray him beardless, which you can see in some of those in this link. There are others as well which you can find easily by searching. DeWitt then makes the claim that Jesus began to be depicted with a beard at about the time when Epicureanism was declining and Christianity was permeating the culture.
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Very good! One of the many reasons I still say that Thoreau is my favorite author, when asked, is because I find in him not an ascetic loneliness, but a solitude of a high aesthetic and intellectual polish. Loneliness is not thrown in greater relief by being alone, but by being in company and feeling yourself apart from it.
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Welcome! I think the picture on my profile page might be from Arkansas...but I cannot remember just now.

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Edit: Just saw the post you made in the original 1743 thread last month about Guernier.
Ha! I thought I vaguely recalled looking into this recently. I often write up a post or a new thread and then decide to delete it without submitting, so I thought it was that.
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One of our favored public domain translations of Lucretius is an anonymous prose translation published by Daniel Brown in London in 1743.
As a matter of idle speculation, I thought there might be some interest in trying to identify the responsible party. The two main approaches that occur to me at the moment are to a.) Locate individuals from that time period who display an interest in Lucretius, and b.) Review other contemporaneous translations of Latin authors for signs of similarity.
This is very much an exercise of throwing things against the wall and seeing what sticks, so with that in mind I present my first contender;
Christopher Pitt - Wikipediaen.m.wikipedia.orgDates: 1699-1748
Other translations:
-Lucan's Pharsalia
-Virgil's Aeneid
From wikipedia: His father translated a portion of Lucretius (the plague in Athens) for Thomas Creech¹ in verse, and his brother translated five books of Paradise Lost into Latin. After 1740 when he finished Virgil, no major work is listed. This gives him three years to complete Lucretius, alongside his clergy work and poetry.
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¹I had no idea Creech had a contributor!
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It's honestly pretty shocking we even have his birth date nearly 24 centuries later. With most people from antiquity we have quite literally only their name. Stephen Greenblatt gives a citation in which an ancient writer runs down a list of Latin authors he thought were worth reading. Of some dozen names, only Lucretius' book survived.
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--The God Myth has something parallel, in that how could God keep track of every human being's prayers ( Joshua did you recently say something about this and that some writer or philospher said this?)
There is a reference in DeWitt to a quote from Menander along these lines, but by far the best example of this comes from Giordano Bruno. This is a passage from The Swerve by Stephen Greenblatt, and it is rather long:
Display Spoiler
During his stay in England, Bruno wrote and published a flood of strange works. The extraordinary daring of these works may be gauged by taking in the implications of a single passage from one of them, The Expulsion of the Triumphant Beast, printed in 1584. The passage—quoted here in Ingrid D. Rowland’s fine translation—is long, but its length is very much part of the point. Mercury, the herald of the gods, is recounting to Sofia all the things Jove has assigned him to bring about. He has ordered
that today at noon19 two of the melons in Father Franzino’s melon patch will be perfectly ripe, but that they won’t be picked until three days from now, when they will no longer be considered good to eat. He requests that at the same moment, on the jujube tree at the base of Monte Cicala in the house of Giovanni Bruno, thirty perfect jujubes will be picked, and he says that several shall fall to earth still green, and that fifteen shall be eaten by worms. That Vasta, wife of Albenzio Savolino, when she means to curl the hair at her temples, shall burn fifty-seven hairs for having let the curling iron get too hot, but she won’t burn her scalp and hence shall not swear when she smells the stench, but shall endure it patiently. That from the dung of her ox two hundred and fifty-two dung beetles shall be born, of which fourteen shall be trampled and killed by Albenzio’s foot, twenty-six shall die upside down, twenty-two shall live in a hole, eighty shall make a pilgrim’s progress around the yard, forty-two shall retire to live under the stone by the door, sixteen shall roll their ball of dung wherever they please, and the rest shall scurry around at random.
This is by no means all that Mercury has to arrange.
Laurenza, when she combs her hair, shall lose seventeen hairs and break thirteen, and of these, ten shall grow back within three days and seven shall never grow back at all. Antonio Savolino’s bitch shall conceive five puppies, of which three shall live out their natural lifespan and two shall be thrown away, and of these three the first shall resemble its mother, the second shall be mongrel, and the third shall partly resemble the father and partly resemble Polidoro’s dog. In that moment a cuckoo shall be heard from La Starza, cuckooing twelve times, no more and no fewer, whereupon it shall leave and fly to the ruins of Castle Cicala for eleven minutes, and then shall fly off to Scarvaita, and as for what happens next, we’ll see to it later.
Mercury’s work in this one tiny corner of a tiny corner of the Campagna is still not done.
That the skirt Mastro Danese is cutting on his board shall come out crooked. That twelve bedbugs shall leave the slats of Costantino’s bed and head toward the pillow: seven large ones, four small, and one middlesized, and as for the one who shall survive until this evening’s candlelight, we’ll see to it. That fifteen minutes thereafter, because of the movement of her tongue, which she has passed over her palate four times, the old lady of Fiurulo shall lose the third right molar in her lower jaw, and it shall fall without blood and without pain, because that molar has been loose for seventeen months. That Ambrogio on the one hundred twelfth thrust shall finally have driven home his business with his wife, but shall not impregnate her this time, but rather another, using the sperm into which the cooked leek that he has just eaten with millet and wine sauce shall have been converted. Martinello’s son is beginning to grow hair on his chest, and his voice is beginning to crack. That Paulino, when he bends over to pick up a broken needle, shall snap the red drawstring of his underpants….
Conjuring up in hallucinatory detail the hamlet where he was born, Bruno staged a philosophical farce, designed to show that divine providence, at least as popularly understood, is rubbish. The details were all deliberately trivial but the stakes were extremely high: to mock Jesus’ claim that the hairs on one’s head are all numbered risked provoking an unpleasant visit from the thought police. Religion was not a laughing matter, at least for the officials assigned to enforce orthodoxy. They did not treat even trivial jokes lightly. In France, a villager named Isambard was arrested for having exclaimed, when a friar announced after mass that he would say a few words about God, “The fewer the better.”20 In Spain, a tailor named Garcia Lopez, coming out of church just after the priest had announced the long schedule of services for the coming week, quipped that “When we were Jews,21 we were bored stiff by one Passover each year, and now each day seems to be a Passover and feast-day.” Garcia Lopez was denounced to the Inquisition.
But Bruno was in England. Despite the vigorous efforts that Thomas More made, during his time as chancellor, to establish one, England had no Inquisition. Though it was still quite possible to get into serious trouble for unguarded speech, Bruno may have felt more at liberty to speak his mind, or, in this case, to indulge in raucous, wildly subversive laughter. That laughter had a philosophical point: once you take seriously the claim that God’s providence extends to the fall of a sparrow and the number of hairs on your head, there is virtually no limit, from the agitated dust motes in a beam of sunlight to the planetary conjunctions that are occurring in the heavens above. “O Mercury,” Sofia says pityingly. “You have a lot to do.”
Sofia grasps that it would take billions of tongues to describe all that must happen even in a single moment in a tiny village in the Campagna. At this rate, no one could envy poor Jove. But then Mercury admits that the whole thing does not work that way: there is no artificer god standing outside the universe, barking commands, meting out rewards and punishments, determining everything. The whole idea is absurd. There is an order in the universe, but it is one built into the nature of things, into the matter that composes everything, from stars to men to bedbugs. Nature is not an abstract capacity, but a generative mother, bringing forth everything that exists. We have, in other words, entered the Lucretian universe.
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