There are two 'proverbs' that relate to some of these same or similar ideas as well. "One man's meat is another man's poison", and "as sure as pig likes marjoram". Both 'proverbs' are actually quotations or references to Lucretius.
Posts by Joshua
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Romeo and Juliet: Act 2, Scene 3--Friar Laurence Lucretius, Book 5: Cyril Bailey translation--various passages The grey-eyed morn smiles on the frowning night,
Chequering the eastern clouds with streaks of light;
And fleckled darkness, like a drunkard, reels
From forth day's path and Titan's fiery wheel.
Now, ere the sun advance his burning eye,
The day to cheer and night's dank dew to dry,
I must upfill this osier cage of ours
With baleful weeds and precious-juicèd flowers.1. The golden morning light of the radiant sun reddens over the grass bejewelled with dew,
and the pools and ever-running streams give off a mist, yea, even as the earth from time to
time is seen to steam.
2. [...] sun’s blazing wheel [...]The earth that's nature's mother is her tomb;
What is her burying grave, that is her womb.
And from her womb children of diverse kind
We, sucking on her natural bosom, find;
Many for many virtues excellent,
None but for some, and yet all different.3. Without doubt the mother of all is seen herself to be the universal tomb of things.
4. But each thing comes forth after its own manner, and all preserve their separate
marks by a fixed law of nature.O, mickle is the powerful grace that lies
In plants, herbs, stones, and their true qualities.
For nought so vile that on the earth doth live,
But to the earth some special good doth give;
Nor aught so good but, strained from that fair use,
Revolts from true birth, stumbling on abuse.
Virtue itself turns vice, being misapplied;
And vice sometime, by action, dignified.5. Of such great matter is it, what is the power of each thing.
6. And many there are, which by their usefulness are
commended to us, and so abide, trusted to our tutelage.[Friar Laurence holds up a small flower]
Within the infant rind of this weak flower
Poison hath residence — and medicine power,
For this being smelt —
[He smells the flower]
with that part cheers each part;
Being tasted, stays all senses with the heart.7. Indeed, we may see the bearded goats often grow fat on hemlock,
which to man is rank poison.
8. What was of value, becomes in turn of no worth; and then another thing
rises up and leaves its place of scorn, and is sought more and more each day,
and when found blossoms into fame, and is of wondrous honor among men.Two such opposèd kings encamp them still
In man as well as herbs — grace and rude will;
And where the worser is predominant,
Full soon the canker death eats up that plant.
9. Nor in any other way do we see one another to be mortal; except that we fall
sick of the same diseases as those whom nature has sundered from life.
10. They unwitting would often pour out poison for themselves,
now with more skill they give it to others.What interests me most about these comparisons is the way in which Lucretius restrains from making moral judgments, the way Shakespeare invites his readers to do. You'll notice how much I had to "stretch" the meaning in the last row in Lucretius, in order to vaguely echo that in Shakespeare.
If you struggle to read Shakespeare, as many of us do, I can very heartily recommend the Folger Shakespeare Library's dramatic full-cast reading of Romeo and Juliet. Available on Audible!
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When I toured the Jack Daniel's distillery, I was surprised to see that they opened the fermentation vats and allowed people to peek their heads in. But when the brew comes out fermented, distilled, and charcoal filtered, it's 40 percent alcohol and they spray it on your hands as a sanitizer.
Somebody did an analysis of all of the species of wood used in surviving furniture from Pompeii and Herculaneum; acacia, alder, ash, beech, boxwood, walnut, wild olive, willow, making up stools, crates, tables, bedframes, and shrines to the household gods. There's a particularly poignant cradle on rockers.
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I have also brewed mead, which was drinkable if only just. From memory, the process was simple and my equipment rather non-technical. It consisted primarily of taking a clean glass vessel of a fair size, adding together water, citrus and honey, mixing in the yeast--did I proof the yeast? I don't remember--and fixing a common party balloon over the mouth of the vessel. Prick the balloon with a needle--in its contracted state, the hole will close to prohibit outside yeast and bacteria.
But set all of this aside in a warmish spot, and soon the brew begins to bubble. The releasing gases will inflate the balloon enough to open the prick hole, releasing the gas. This also supplies positive pressure, so that the hole in the balloon only vents, and does not admit outside air. As the fermentation progresses, and the brew runs out of sugar, the balloon will go limp again. The mixture, now properly mead, is ready to be filtered and drunk. This process can take several weeks.
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Martin was wondering whether I had missed the mark on Hamlet in what I said above. He might be right; the stage having been set with the murder of Hamlet's father, a crime which Hamlet could not prove, was there really any way to avoid a tragic ending? I don't know.
That Hamlet's tragic flaw is indecision, procrastination, or vacillation is also disputed by critics. The main argument in support of that conclusion comes from a well known public lecture by the Romantic poet Samuel Taylor Coleridge;
QuoteMan is distinguished from the brute animals in proportion as thought prevails over sense: but in the healthy processes of the mind, a balance is constantly maintained between the impressions from outward objects and the inward operations of the intellect;—for if there be an overbalance in the contemplative faculty, man thereby becomes the creature of mere meditation, and loses his natural power of action. Now one of Shakespeare's modes of creating characters is to conceive any one intellectual or moral faculty in morbid excess, and then to place himself, Shakespeare, thus mutilated or diseased, under given circumstances. In Hamlet he seems to have wished to exemplify the moral necessity of a due balance between our attention to the objects of our senses, and our meditation on the workings of our minds,—an equilibrium between the real and the imaginary worlds. In Hamlet this balance is disturbed: his thoughts, and the images of his fancy, are far more vivid than his actual perceptions, and his very perceptions, instantly passing through the medium of his contemplations, acquire, as they pass, a form and a colour not naturally their own. Hence we see a great, an almost enormous, intellectual activity, and a proportionate aversion to real action consequent upon it, with all its symptoms and accompanying qualities. This character Shakespeare places in circumstances, under which it is obliged to act on the spur of the moment:—Hamlet is brave and careless of death; but he vacillates from sensibility, and procrastinates from thought, and loses the power of action in the energy of resolve. Thus it is that this tragedy presents a direct contrast to that of Macbeth; the one proceeds with the utmost slowness, the other with a crowded and breathless rapidity.
The effect of this overbalance of the imaginative power is beautifully illustrated in the everlasting broodings and superfluous activities of Hamlet's mind, which, unseated from its healthy relation, is constantly occupied with the world within, and abstracted from the world without,—giving substance to shadows, and throwing a mist over all common-place actualities.
It is possible to accept Coleridge's presupposition that there is a tragic flaw, but find that flaw in something else: an Oedipal complex, pride or hubris, etc.
It is also possible to approach the text without reference to any tragic flaw, as such. But I think Coleridge's view has become predominant.
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1. Epicurus believed there were real beings existing somewhere in the universe who were eternally blissful, who had bodies that didn't decay, and who took no interest or action in human affairs, and who did NOT create or maintain the universe.
Yes! Just today I read an article by the Catholic Herald from 2019 that uses this formulation: Moralistic Therapeutic Deism.
It called to my mind one of Hitchens' witticisms.
QuoteHe says that I am an ex-Trotskyist (true), a “popinjay” (true enough, since its original Webster’s definition means a target for arrows and shots), and that I cannot hold a drink (here I must protest).
Deism is a precise word with a precise meaning. The Epicurean gods do not qualify. Epicurus' gods are, in fact, so non-essential in the cosmos that one could (and I do) leave them out entirely. Can we satisfy all of his ethical and epistemological claims without them? I suspect so-- but if not, this is the ethical raison d'être of the Idealist view which Don has described. It only remains to speak of epistemology.
There are two points under this heading:
First, the Letter to Menoikeus makes the intriguing claim that knowledge of the gods is "clear", or "engraved on men's minds", or else "plain to see", according to various translations. He seemed to think, like Montaigne, that atheism is "unnatural":
Quoth Montaigne:
QuoteWe are brought to a belief of God either by reason or by force. Atheism being a proposition as unnatural as monstrous, difficult also and hard to establish in the human understanding, how arrogant soever, there are men enough seen, out of vanity and pride, to be the authors of extraordinary and reforming opinions, and outwardly to affect the profession of them; who, if they are such fools, have, nevertheless, not the power to plant them in their own conscience. Yet will they not fail to lift up their hands towards heaven if you give them a good thrust with a sword in the breast, and when fear or sickness has abated and dulled the licentious fury of this giddy humour they will easily re-unite, and very discreetly suffer themselves to be reconciled to the public faith and examples.
Were I to challenge Epicurus on this point, I would put it to him that he has allowed himself to become "enamored of the single cause", a tendency which he strives to reject in the Letter to Pythocles". That most humans in all times and places have believed in gods does not imply their existence--that is merely one explanation of the phenomena. In the absence of any sensory evidence, why shouldn't the best explanation be found in psychology? In pattern-seeking behavior, confirmation bias, and in our evolutionary tendency to infer agency? To Epicurus' credit, he does manage to avoid all of Montaigne's Platonist bigotry; It is not the man who denies the gods worshipped by the multitude, who is impious, but he who affirms of the gods what the multitude believes about them.
And lastly, the second epistemological point that the gods appear to satisfy: the principle of isonomia.
QuoteThis is termed by Epicurus isonomia, or the principle of uniform distribution. From this principle it follows that if the whole number of mortals be so many, there must exist no less a number of immortals, and if the forces of destruction are beyond count, the forces of conservation must also be infinite.
-Cicero, On the Nature of the Gods
I haven't got much to say about that proposition. I hope I haven't left anything important out, but others may supply my deficiency!
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I apologize if the point has already been made, but it occurs to me to approach the question in these terms;
Epicurus said that "gods there are", and that those gods dwell incorruptibly in a perpetual state of eudaimonia--of pleasure, unmixed with any pain or disturbance.
He did not say that "gods there once were"--that they were living in incorruptible pleasure and peace, but they are no more because they've all killed themselves out of ennui and desperation ages ago.
If the gods still find pleasure in living through all the ages of the this world, we may surmise that eternity would also do good service to an Epicurean. But we shall not have it.
QuoteYou must live in the present, launch yourself on every wave, find your eternity in each moment. Fools stand on their island of opportunities and look toward another land. There is no other land; there is no other life but this.
-Thoreau
Something to think on--remembering while we think that Hamlet is a tragedy only because he couldn't make up his mind!
Quote[...] The draught swallowed by all of us at birth is a draught of death.
Vatican Saying 30
There's a Greek anti-baptism for a Greek 'anti-Christ'!
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A book that I always meant to read but never got around to is God is not One; The Eight Rival Religions that Run the World by Stephen Prothero. I gather that what he's doing in that book is pushing back against a trend that we see with Epicureanism all the time--the "they're-all-basically-saying-the-same-thing" crowd. Joseph Campbell is often cited as an example of the other camp.
Prothero in his own words:
QuoteAccording to the Dalai Lama, "the essential message of all religions is very much the same." From this perspective, popularized by "perennial philosophers" such as Aldous Huxley, Joseph Campbell and Huston Smith, all religions are beautiful and all are true. The prevailing metaphor portrays the world's religions as different paths up the same mountain. "It is possible to climb life's mountain from any side," writes Mr. Smith, "but when the top is reached the trails converge."
This is a seductive sentiment in a world in which religious violence can seem as present and potent as God. But it is dangerous, disrespectful and untrue.
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I've never been more annoyed with myself after recording than I am today... 😑
I've always thought that two things were crucial for anyone presuming to hold forth under the name of Epicurus. The first was to make an honest and diligent effort to understand what he was writing. The second was to express that understanding to others, in a way that was consistent with the plain reading of the text, as well as with the tenor of the whole philosophy.
I don't think I succeeded very well with the second part. Nevertheless, and in lieu of rehashing the issue, I want to take some time to pursue an angle that Kalosyni introduced.
We were discussing the consideration of an Epicurean god as an image, eidolon, or archetype, and Kalosyni brought up Joseph Campbell. I think it's a connection deserving of further comment.
A word I kept using was 'demarcate'. What I was attempting to illustrate was the contrast I perceived, and wanted to patrol, between the natal moral claims of "religion" and the epistemological claims about the gods being made by Epicurus. And yet I think that Joseph Campbell would suggest that the moral claims have nearly always been secondary and incidental in myth and religion, and that the symbolism and emotional impact has always been primary. I don't know---and it's been many years since I read Campbell, so that I don't know whether I could say more.
One thing I will say is that Lucretius had an advantage that Epicurus did not have. Epicurus could not have respectably cast himself as a Prometheus figure--it would have looked ridiculous. Lucretius, though--writing from the comfortable distance of two and a half centuries--suggests exactly this comparison, and it's this symbol, more than any eidolon of the gods, that I find to be a compelling reason to push forward in the pursuit of pleasure and happiness.
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Just as a point of interest, Friday the 19th will be the anniversary of the dedication of the first temple of Venus, according to Wikipedia:
Quote295 BC – The first temple to Venus, the Roman goddess of love, beauty and fertility, is dedicated by Quintus Fabius Maximus Gurges during the Third Samnite War.
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That laughter had a philosophical point: once you take seriously the claim that God’s providence extends to the fall of a sparrow and the number of hairs on your head, there is virtually no limit, from the agitated dust motes in a beam of sunlight to the planetary conjunctions that are occurring in the heavens above. “O Mercury,” Sofia says pityingly. “You have a lot to do.”
Sofia grasps that it would take billions of tongues to describe all that must happen even in a single moment in a tiny village in the Campagna. At this rate, no one could envy poor Jove. But then Mercury admits that the whole thing does not work that way: there is no artificer god standing outside the universe, barking commands, meting out rewards and punishments, determining everything. The whole idea is absurd. There is an order in the universe, but it is one built into the nature of things, into the matter that composes everything, from stars to men to bedbugs. Nature is not an abstract capacity, but a generative mother, bringing forth everything that exists. We have, in other words, entered the Lucretian universe.
-Stephen Greenblatt, The Swerve
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"I have given a rough account of what are more like the dreams of madmen than the considered opinions of philosophers. For they are little less absurd than the outpourings of the poets, harmful as these have been owing to the mere charm of their style."
Velleius
"But if we assume it to be possible, then truly the life of the gods will pass to men."
Diogenes of Oenoanda
"For not small or ineffectual are these gains for us which make our disposition godlike and show that not even our mortality makes us inferior to the imperishable and blessed nature; for when we are alive, we are as joyful as the gods, knowing that death is nothing to us; and when we are dead, we are without sensation"
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We're going to have to come to terms with "god" in the singular in both translations and--even worse--"God" with a capital G in Hicks. In the former case, I can allow for some wiggle room, when taking a/the god as the type of a class. The latter case strikes completely the wrong note in my view.
An illustration of the first example would be something like this;
"The lion does not concern himself with the opinions of the sheep."
It's clear from context in that phrase that we're not talking about a particular lion, or saying or implying that only one lion exists. What we're speaking of in that phrase is something like "lion-dom", or lion-kind.
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Unfortunately I think I'll miss this one. I might be able to listen in.
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Elli: If you were asked to justify what form of government you think Epicurus would approve of, what would you say, ad what would you cite in support of it?
I can give my take on this, except in the negative;
Epicurean philosophy does not to me seem compatible with a state that does not allow for the freedom of αἵρεσις--that is, hairesis, as in heresy, or the freedom to choose. Constitutional monarchy, parliamentary democracy, direct democracy, social democracy, republic--there are many forms of government that are capable of meeting this very simple requirement. There are also many other forms which are likely to fail this test.
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Welcome, John!
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Show Notes:
The Tower of the Winds"The Tower of the Winds or the Horologion of Andronikos Kyrrhestes is an octagonal Pentelic marble clocktower in the Roman Agora in Athens that functioned as a horologion or "timepiece"."
The Lake Peigneur Drilling Accident
Parhelion of the Sun and Moon
"A Sun Dog (or sundog) or mock sun, also called a parhelion[1] (plural parhelia) in meteorology, is an atmospheric optical phenomenon that consists of a bright spot to one or both sides of the Sun. Two sun dogs often flank the Sun within a 22° halo."
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