Posts by Cassius

I came back here this morning to check to see if the figure of Aristotle appeared to be "walking." Portraying him that way would have been one of the most obvious allusions to Aristotle's school, yet Raphael apparently chose not to do that.

OK so he's the ONLY figure in the fresco with a laurel wreath. The suggestion that laurel wreaths are identified with poets would go a long way toward helping with the identity of this figure if we are confident of that association.

Quote from Nate

This entire side represents Cynics and Stoics,

That's one of the factors that would dispose me to think that Raphael balanced that with the side on the left being Epicurean.

Is it possible that there is a time element with the figures outward from the center are the oldest in Greek history, with those nearer the center being ranked not only in significance but also to a degree in time? In other words, outside of the central pair and the two groupings immediately around them, are any of the figures arranged further out (to the left, right, and foreground) visibly identifiable as being significantly LATER than the relatively early Stoics and Epicureans? I would tend to think that as a thumbnail summary most people consider Plato and Aristotle to be of most significance in history, with the Stoics and Epicureans immediately following/carrying forward their differences, and that everyone else (even Socrates) was a forerunner of this great Plato-Aristotle-Stoic-Epicurean axis.

Yes and the (dismissive?) expression of the figure in blue listening to him seems relevant too.

Quote from Nate

It also reflects the Plato-influence Augustinian and Scholastic schools of theology versus Aristotle-influenced Thomist school

I don't want to suggest we go off-track here, and maybe a separate thread would be better, but in reading this I realize that I don't have even a thumbnail summary in my mind of the practical difference between Augustinian/Scholastic vs Thomist theology. To the extent it would help us contrast these against Epicurean views, I wonder if there is anything brief we can say to set a base for how those two camps differed from each other (as viewed from an Epicurean perspective, not trying to list all possible differences).

As to "Zeno" I agree about the beard, but doesn't Raphael have the figure as largely bald, which Zeno was not?

As to the possibility of a figure being Marcus Aurelius, do we have any other examples of someone other than from pre-Christian Greece being in the fresco?

Your reference to the colors has me asking this: I guess it's inevitable that colors are re-used, but I wonder if there is any pattern to the coloring of any of the outfits? (EDIT - I see Nate anticipated and at least partly answered my question here.)

I hate it when I can't find something. I just posted a copy of the above into a facebook thread, and I'd like to be able to post a link to where the photo of the original can be seen. If anyone comes across that please add it to this thread. I know I have seen an entry in a book or a museum page where I originally got this (the image on the left)

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I would expect that most discussion will continue to take place in this thread and I am not specifically encouraging new posts in the new threads. However it's already almost impossible to read through this thread given its length, so I'm giving the option to future posters to write their new comments on particular figures where they may more easily be found.

Let's discuss this grouping here (not specifically related to Elli's assertion as to the figure in orange)

Let's discuss symbolism of the figure of Socrates here. Are we even sure this is Socrates?

Let's discuss the symbolism of the portrayal of Aristotle here.

Let's discuss the figure of Plato and how he is symbolized in this thread.

Basic history of Raphael: https://en.wikipedia.org/wiki/Raphael

This thread is gathering such a life of its own that I am going to set up a separate forum for it. That will allow discussion to be separated out into distinct threads on Raphael, Vatican history relating to the mural, the particular portrayals of figures, etc. I moved it to "Places of Significance" but if anyone wants to suggest a better location let me know.

This article looks to contain good material not only on the topic but also on Cicero's general relationship with Epicurean philosophy.

As is everything else on the "Epicurus College" website, this is little more than a dream at this point, but I think it's a good goal: