What a lovely photograph!
Posts by Joshua
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Show Notes:
Lucretius versus the Lake PoetsBy Robert Frost
‘Nature I loved; and next to Nature, Art.’
Dean , adult education may seem silly.
What of it, though? I got some willy-nilly
The other evening at your college deanery.
And grateful for it (let's not be facetious!)
For I thought Epicurus and Lucretius
By Nature meant the Whole Goddam Machinery.
But you say that in college nomenclature
The only meaning possible for Nature
In Landor's quatrain would be Pretty Scenery.
Which makes opposing it to Art absurd
I grant you—if you're sure about the word.
God bless the Dean and make his deanship plenary.
Thales and the Eclipse of 585 BC
The anniversary of this eclipse was yesterday, May 28th (sorry Don!)
Eclipse of Thales - Wikipediaen.m.wikipedia.orgLucretius and Natural Selection
Evolution and Paleontology in the Ancient World
Isonomia
I think the article I mentioned may have been "Animals in War and Isonomia" by K. L. McKay, but it's behind a paywall and I won't likely read it again.
Mark Twain
A Connecticut Yankee in King Arthur's Court - Wikipediaen.m.wikipedia.orgCaustic vs Corrosive
Thanks to Martin for correcting me!
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Don I'm warning you, if you have anything to say about Thales today just keep it to yourself!

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I think the fundamental problem is going to be this; while Christian Humanists have been quite happy to import Epicurean Ethics, they haven't been very interested in adopting his view of the gods. Epicureans and their fellow travelers, by contrast, have had little interest in the Christian God, and even less interest in Christian morality.
So you're looking for someone with one foot squarely planted in both worlds. The closest you're going to get to that (and it's far from a good fit) is probably the expelled and denounced Jewish philosopher Baruch Spinoza. He really was prepared to adopt materialism, at great personal risk, and to reject the supernatural entirely. His God is completely natural--nothing less than the sum of Nature and all her laws.
So I will amend my previous suggestion, and say: I'd start with Spinoza.
You may find this book useful; with the caveat, again, that I have not read it!
Spinoza, the Epicurean: Authority and Utility in Materialism
by Dimitris Vardoulakis
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Gassendi supposedly produced a critical apparatus of Book X of Diogenes Laertius, with a view toward finding some level of compatibility with Christianity.
I would probably start there, although I cannot say what you will find--I haven't read his books.
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😁
You had me slightly confused there!
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I'm fresh off a review of the Philebus material, and wanted to have another look at Plato the "Golden".
QuotePlato's school he called "the toadies of Dionysius," their master himself the "golden" Plato, [...]
Quoteτούς τε περὶ Πλάτωνα Διονυσοκόλακας καὶ αὐτὸν Πλάτωνα χρυσοῦν,
It seems that the word we're dealing with is χρυσοῦν. If that word is an adjective, and derives from χρύσεος, then it certainly does mean "golden". But if χρυσοῦν is a participle deriving from χρυσόω, then it may instead mean "gilded"--papered over with gold-leaf.
If my fanciful and doubtlessly flawed analysis has any weight, Epicurus may have been going for a pun here. Because "Plato" (Πλάτων) comes from the word platys (πλατύς), meaning variously broad, flat, level, etc.
If this was the intent of Epicurus' words, then Plato's goldenness was, as his own name suggests, just a false veneer, like the Platte River in Nebraska--a mile wide and an inch deep. All surface, and no substance.
Perhaps Don can come in here and bring me back to reality!
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It would be difficulty to express it accurately and concisely, but here is my attempt:
Plato held that (1) the pursuit of pleasure could not be the best mode of life, because (2) pleasure has no limit--and (3) having no limit, the pursuit of limitless pleasure ends in wickedness.
(4) Virtue is the way to correct wickedness, (5) and Divine Law is the supernatural check against the heedless pursuit of pleasure.
But Epicurus thought (1) that the pursuit of pleasure was the best mode of life, because (2) the limit of the quantity of pleasure is the removal of all pain--and (3) culminating in the removal of all pain, the pursuit of pleasure does not lead to wickedness. (4) The wicked bring pain on themselves, (5) and pain is the natural check against the heedless pursuit of pleasure.
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Principal Doctrine 3
Quoteὅρος τοῦ μεγέθους τῶν ἡδονῶν ἡ παντὸς τοῦ ἀλγοῦντος ὑπεξαίρεσις. ὅπου δʼἂν τὸ ἡδόμενον ἐνῇ, καθʼὃν ἂν χρόνον ᾖ, ουκ ἔστι τὸ ἀλγοῦν ἢ λυπούμενον ἢ τὸ συναμφότερον.
Cyril Bailey:
QuoteThe limit of quantity in pleasures is the removal of all that is painful. Wherever pleasure is present, as long as it is there, there is neither pain of body nor of mind, nor of both at once.
Inwood and Gerson:
QuoteThe removal of all feeling of pain is the limit of the magnitude of pleasures. Wherever a pleasurable feeling is present, for as long as it is present, there is neither a feeling of pain nor a feeling of distress, nor both together.
Peter Saint-Andre
QuoteThe limit of enjoyment is the removal of all pains. Wherever and for however long pleasure is present, there is neither bodily pain nor mental distress.
from Plato's Philebus:
QuoteΣωκράτης
καὶ ἄλλα γε δὴ μυρία ἐπιλείπω λέγων, οἷον μεθ᾽ ὑγιείας κάλλος καὶ ἰσχύν, καὶ ἐν ψυχαῖς αὖ πάμπολλα ἕτερα καὶ πάγκαλα. ὕβριν γάρ που καὶ σύμπασαν πάντων πονηρίαν αὕτη κατιδοῦσα ἡ θεός, ὦ καλὲ Φίληβε, πέρας οὔτε ἡδονῶν οὐδὲν οὔτε πλησμονῶν ἐνὸν ἐν αὐτοῖς, νόμον καὶ τάξιν πέρας ἔχοντ᾽ ἔθετο: καὶ σὺ μὲν ἀποκναῖσαι φῂς αὐτήν, ἐγὼ δὲ τοὐναντίον ἀποσῶσαι λέγω. σοὶ δέ, ὦ Πρώταρχε, πῶς φαίνεται;
Benjamin Jowett:QuoteSoc. I omit ten thousand other things, such as beauty and health and strength, and the many beauties and high perfections of the soul: O my beautiful Philebus, the goddess, methinks, seeing the universal wantonness and wickedness of all things, and that there was in them no limit to pleasures and self-indulgence, devised the limit of law and order, whereby, as you say, Philebus, she torments, or as I maintain, delivers the soul-What think you, Protarchus?
Harold Fowler:
QuoteThere are countless other things which I pass over, such as health, beauty, and strength of the body and the many glorious beauties of the soul. For this goddess,1 my fair Philebus, beholding the violence and universal wickedness which prevailed, since there was no limit of pleasures or of indulgence in them, established law and order, which contain a limit. You say she did harm; I say, on the contrary, she brought salvation. What do you think, Protarchus?
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Post
RE: Getting Started - Initial Thoughts on 3D Printing
epicureanfriends.com/wcf/attachment/1861/
(This passage does not describe the double-herm in question, but a separate herm bust now lost. Only the shaft with the inscription survives.)
JoshuaApril 28, 2021 at 10:52 PM We discuss the same problem in that thread.
QuoteIn ancient art, double herms were a common statue type. While in Greece they were displayed in public rooms, in the Roman empire they were shown in private spaces.
-Wikipedia
QuoteDouble herms were a creation of the imperial period and this example is one of four double herms found in the corners of the peristyle garden of the villa at Fondo Bottaro, one each corner.
That seems to me the best explanation. The floor-plan of these ancient villas was so thoroughly different to the way we do things now where everything gets shoved against wall. Their walls had frescoes, not televisions. Furniture and objects would be arranged in the center of the room. The perimeter of the room was for walking--a place where slaves would be on hand and free to move about, but of the way.
The "corners" of a peristyle courtyard would still be away from the walls some considerable distance, as a colonnade and covered walkway would surround the garden.
Everyone sitting down side by side and facing one wall is an artefact of the fireplace, and then the television. A Roman villa would use braziers, not a hearth.
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Right hand sketch.
Another sketch...still looking.
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The other possibility is that a bust was found without its plinth, and it was affixed to a different one.
There is a renaissance statue of Poggio Bracciolini that was found in a collection of statues portraying the Last Supper. The scholarship on this sort of thing wasn't particularly scrupulous for a long time.
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This is one of the surviving "double-herm" statues showing Metrodorus. A 1st century Roman copy, I think.
This inscription (the left one) says Ἕρμαρχoς -- (Hermarxos, Hermarchus.)
This appears to be the bust that the left sketch was taken of. Some websites record this as Metrodorus, but again the inscription makes it clear. This is Hermarchus.
I'll see what I can find about the righthand sketch.
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I can't believe I didn't think of this earlier.
First Snow in Alsace
by Richard Wilbur
The snow came down last night like moths
Burned on the moon; it fell till dawn,
Covered the town with simple cloths.
Absolute snow lies rumpled on
What shellbursts scattered and deranged,
Entangled railings, crevassed lawn.
As if it did not know they'd changed,
Snow smoothly clasps the roofs of homes
Fear-gutted, trustless and estranged.
The ration stacks are milky domes;
Across the ammunition pile
The snow has climbed in sparkling combs.
You think: beyond the town a mile
Or two, this snowfall fills the eyes
Of soldiers dead a little while.
Persons and persons in disguise,
Walking the new air white and fine,
Trade glances quick with shared surprise.
At children's windows, heaped, benign,
As always, winter shines the most,
And frost makes marvelous designs.
The night guard coming from his post,
Ten first-snows back in thought, walks slow
And warms him with a boyish boast:
He was the first to see the snow.
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Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today
Tomorrow will be dying.
-Robert Herrick, To the Virgins to Make Much of Time
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Had we but world enough and time,
This coyness, lady, were no crime.
-Andrew Marvell, To his Coy Mistress
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carpe diem, quam minimum credula postero.
Seize the present; trust tomorrow e'en as little as you may.
-Horace, Odes
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Quote
"Timor mortis conturbat me" is a Latin phrase commonly found in late medieval Scottish and English poetry, translating to "fear of death disturbs me". The phrase comes from a responsory of the Catholic Office of the Dead, in the third Nocturn of Matins:
"Peccantem me quotidie, et non poenitentem, timor mortis conturbat me. Quia in inferno nulla est redemptio, miserere mei, Deus, et salva me." Sinning daily, and not repenting, the fear of death disturbs me. For there is no redemption in Hell, have mercy on me, o God, and save me.
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Specifically, he did not teach in public in the Athenian period of his life; neither in the agora, nor in the Gymnasia (of which the Academy and the Lyceum were two). The Gymnasia were governed by somewhat strict rules, as they were constructed and operated for the training and education of the next generation of male citizens--the very future of the city-state.
Before Epicurus began his brief tenure in Lampsacus (where he developed several lasting and important friendships), he was more or less driven out of Mytilene for his teachings. This must have been an education of a kind, but there was something else to keep him on guard when he got to Athens: the memory of the trial of Socrates, on the charges of impiety and corrupting the youth. Sure, that was a century before, and maybe things change. But a century and a half before that, the Athenians sentenced another man to death, a philosopher named Anaxagoras. His crime was also impiety; he was accused of materialism (true enough in his case, though not in Socrates'), and this first thinker to bring philosophy to Athens escaped death only by being exiled from her.
And yet, in the time of Socrates, Anaxagoras' books were circulating widely in Athens and could be had in the market for a drachma. Preposterous? Certainly! But that was the point; what was said in private, or merely committed to paper and circulated, was of little enough concern to the City's elite. A brazen tongue must occasionally be silenced; the idea that animated it was tolerated to persist.
In any case, Anaxagoras (who thought, among other things, that the sun and moon were made of rock) secured his safety by fleeing to, of all places, Lampsacus! Athens went on to become an emblem of free-thought, Lampsacus, to be forgotten. That is the way of things, I suppose.
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More adventures of the tortoise and the hare:
"Draw!" [literally, "Draw your weapon!] educe; from educere, to draw or to lead--second person singular present active imperative: and telum; dart, javeline, projectile--accusative singular
"Pew!" Latin "v" pronounced "u", "oo"
"Haha! I am the swiftest of all! celerrimus; superlative of celer, "swift", so "swiftest": omnium; from omnia, all things--genitive plural: sum, I am
"Slow and steady..." adverbs, both are vocative and singular
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This is my translation; feel free to educate me! (late Middle English: from Latin educat- ‘led out’, from the verb educare, related to educere ‘lead out’)
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